In music theory, the term "supertonic" refers to the second degree of the diatonic scale. For example, in the C major scale, the notes are C, D, E, F, G, A, and B; here, D is the supertonic. The supertonic is often used as a starting point for harmonies and can play a crucial role in creating tension and resolution in music. In harmony, it often leads to the dominant (the fifth scale degree) and can be used in various chord progressions.
Using the supertonic (the second degree of the scale) in a chord progression can add interesting harmonic movement. Here are a few ways to incorporate it:
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Basic Progression: Use the supertonic chord (ii) in a simple progression:
- Example in C Major: Dm (ii) - G (V) - C (I)
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Tension and Resolution: Create tension by moving from the supertonic to the dominant:
- Example: Dm (ii) - G (V) - C (I)
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Extended Progressions: Use ii as part of a longer progression:
- Example: Dm (ii) - Am (vi) - Dm (ii) - G (V) - C (I)
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Inversions: Experiment with inversions of the supertonic chord to create different textures:
- Example: Dm7 (ii7) can lead smoothly to G7 (V7).
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Modal Interchange: Use the supertonic in borrowed chords from parallel modes:
- Example: In C major, use Dm7 from C minor.
Feel free to mix and match these ideas to create your own unique sound!
By the Stealify Team!
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